The thing that made this musical challenging from a F.O.H point was that this musical was basically a very new one compared to what was put up in New York and Nairobi two years ago. The reworked script had included a lot more singing, about 10 new songs and the interplay between the cast and band was even tighter than before.
Gear List
1. 10 DPA 4066-F mic headsets
2. 10 Shure UR1 Bodypacks
3. Allen & Heath iLive mixer T144 with Muco stagebox
4. Electro Voice RE20 - Kick
5. Shure Sm57 - Snare
6. AKG C451 - Hi Hats
7. 7 AKG P4- 3 toms + 4 percs
8. Shure SM58- Cahon
9. AKG 414 C14 * 2 - Over heads for drums and percs
10. NEXO GeoS Line Array
11. Stage Wedges Shiva2306/2406 300W
12. 10 custom Black mic pacs - Kiko Romeo *
the Stage was 15 m x 6m and the band was in a 3.5m x 2m "smaller stage".
The concert space was not that big sitting approximately 300 people.
Learning Points.
1. The only hiccup right through both performances was the triggering of a gunshot via midi. On both Occasions while the gunshot was triggered, what we heard was an electric guitar sound! [gasp] This because was the Korg Triton keyboard that was being used to trigger the sample [ off Logic EX24] was also sending patch change controller messages and the failure to anticipate that, meant that we heard a totally different sound.
2. The Allen and Heath iLive T144 is a wonderful desk to mix a musical on. I am now a convert!
Media
Crew.
Producer: Sheba Hirst
Director: John Sibi Okumu
Written by: Eric Wainaina
Asst. Producer: Velma Kiome
F.O.H/ Tech Director: Tim Rimbui
F.O.H: Dave
BackLine and Equipment: Sound Pool Ltd- Basel Switerland
I would love to know your thoughts. Send me an email.
Cheers
Tim Rimbui...Copyright MTAA blog 2011
I would love to know your thoughts. Send me an email.
Cheers
Tim Rimbui...Copyright MTAA blog 2011
* hahahahahahah